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Tom Benedek talks the creative process with writers, showrunners, directors, producers, actors, executives, agents, managers and other cultivators of truth and beauty.

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#4 – David Kanter (film producer & manager) at Paramount Studios

October 12, 2016 by tombenedek@gmail.com

David Kanter (producer: The End of the Tour, The Revenant & manager: Anonymous Content) talks developing scripts and producing films while separately managing writers and filmmakers.

We talk about:

  • Working at Anonymous Content
  • Growing up in Michigan
  • Making of ‘The End of the Tour’
  • Getting ‘The Revenant’ produced
  • A pilot, ten years in the making
  • The current state of the film and television industries
  • A kind of work ethic the yields success
  • Balancing life as a manager and a producer

kanter

Quotes from the show:

“The movie happened because it reflected for everyone who made it something that was essential to each of us.”

“All the things I aspired to do growing up with movies, I kind of transferred it over now to the world of television that I watch.”

“One of the nice things about being a manager as opposed to being an agent, it’s an unspoken but very powerfully interpreted rule that you don’t go and steal other people’s business. You just don’t do it.”

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Filed Under: Podcasts Tagged With: Aaron Paul, Alejandro Gonzales Inarritu, Alfonso Gomez-Rejon, American Horror Story, Anonymous Content, Babel, Bauer Benedek, BBC, Blood and Oil, David Kanter, David Lipsky, Donald Marguilies, Hulu, In the Land of Women, James Ponsoldt, Jason Segel, Jesse Eisenberg, Josh and Jonas Pate, Keith Redmon, Mark Gill, Mark L. Smith, Martin Scorsese, Matt DeRoss, Me Earl and the Dying Girl, Nicholas Scott, Palmer Woods, Paramount Studios, Ryan Murphy, Samuel L. Jackson, The End of the Tour, The Revenant, The Spectacular Now, Tom Cruise, True Detective, United Talent, Warner Brothers

#9 – Bec Smith (literary & indie film agent) at United Talent Agency

October 18, 2016 by tombenedek@gmail.com

Bec Smith (United Talent Agency) discusses her work as both a literary agent and an independent film agent.

We talk about:

  • Growing up in Australia with movie maddness
  • A background in journalism, film criticism and development at Working Title
  • Producing and selling Animal Kingdom at Sundance
  • What it takes for a film to break through the noise, these days
  • How independent films get valued and how projects get made
  • American vs. foreign filmmaking and financing
  • Signing clients ( David Michod, James Ponsoldt, Garth Davis ) from the start

bec-smith-uta-beverly-hills-2016dsc05302-117

Quotes from the show:

“I think it’s an exciting and interesting time for feature filmmakers, but I also think it’s more challenging than it’s ever been.”

“You’ve got to have a reason for being, either in subject or in terms of the filmmaking.”

“I’m a firm believer that cream rises to the top, and I find my way to the things I’m meant to find my way to.”

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Filed Under: Podcasts Tagged With: Agency, American Film Market, Baz Luhrmann, Ben Mendelsohn, Benedict Andrews, Berlin, Blue Jasmine, Blue Tongue Films, Breathless, Cannes, Cate Blanchett, Clive Owen, David Michod, Doctor Zhivago, E.T., Evil Dead, Fandor, festivals, Grease, Hollywood Reporter, Hunt for the Wilderpeople, inside film, James Ponsoldt, Jaws, Joel Edgerton, Kieran Darcy-Smith, Moulin Rouge, Mubi, Muppet Movie, Nash Edgerton, Netflix, Romeo and Juliet, Rooney Mara, South by Southwest, Strictly Ballroom, Sundance, Telluride, The Lobster, The Purge, Toronto, Tribeca, Una, UTA, Venice, Woody Allen, Working Title

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