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#9 – Bec Smith (literary & indie film agent) at United Talent Agency

October 18, 2016 by tombenedek@gmail.com

Bec Smith (United Talent Agency) discusses her work as both a literary agent and an independent film agent.

We talk about:

  • Growing up in Australia with movie maddness
  • A background in journalism, film criticism and development at Working Title
  • Producing and selling Animal Kingdom at Sundance
  • What it takes for a film to break through the noise, these days
  • How independent films get valued and how projects get made
  • American vs. foreign filmmaking and financing
  • Signing clients ( David Michod, James Ponsoldt, Garth Davis ) from the start

bec-smith-uta-beverly-hills-2016dsc05302-117

Quotes from the show:

“I think it’s an exciting and interesting time for feature filmmakers, but I also think it’s more challenging than it’s ever been.”

“You’ve got to have a reason for being, either in subject or in terms of the filmmaking.”

“I’m a firm believer that cream rises to the top, and I find my way to the things I’m meant to find my way to.”

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Filed Under: Podcasts Tagged With: Agency, American Film Market, Baz Luhrmann, Ben Mendelsohn, Benedict Andrews, Berlin, Blue Jasmine, Blue Tongue Films, Breathless, Cannes, Cate Blanchett, Clive Owen, David Michod, Doctor Zhivago, E.T., Evil Dead, Fandor, festivals, Grease, Hollywood Reporter, Hunt for the Wilderpeople, inside film, James Ponsoldt, Jaws, Joel Edgerton, Kieran Darcy-Smith, Moulin Rouge, Mubi, Muppet Movie, Nash Edgerton, Netflix, Romeo and Juliet, Rooney Mara, South by Southwest, Strictly Ballroom, Sundance, Telluride, The Lobster, The Purge, Toronto, Tribeca, Una, UTA, Venice, Woody Allen, Working Title

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